About
Nelson, a camera, and four years of not putting it down
I write, shoot, colour and cut every film myself — which is either a limitation or the whole point, depending on the job.

- Behind a camera
- 4 yrsBehind a camera
- Films delivered
- 60+Films delivered
- Brands worked with
- 30+Brands worked with
I picked up a camera four years ago and haven't really put it down since. What started as filming friends turned into filming businesses, and somewhere in there it stopped being a hobby: 30+ companies, 60+ videos, and a fairly clear sense of what I'm good at and what I'm not.
Almost all of that work has been commercial — ads that had to sell something, for people spending their own money. That's a good school. It teaches you that a beautiful shot nobody watches is worth nothing, and that the idea has to survive being compressed to nine seconds on a phone.
This site is the other half. Brand films, spec ads and passion projects made without a brief, where I get to chase an idea further than a client budget usually allows. Every technique that's ended up in paid work showed up here first.
I work solo by choice. One person writing, shooting and cutting means nothing gets lost being handed between three of them — and it means I turn work down. If a job genuinely needs a full crew and a month of pre-production, I'll say so rather than pretend otherwise.
I'm based in Nelson and work across the top of the South Island. Usually that's a workshop, a warehouse, or someone's front paddock at six in the morning.
How I work
01
The idea before the gear
Kit is the least interesting part of a shoot. If the idea only works because of an expensive lens, it isn't an idea yet.
02
One person, start to finish
I write it, shoot it, colour it and cut it. You talk to the person doing the work, and nothing gets lost in translation.
03
Made to be watched
I grew up on social media, so I make things for how people actually watch now — not for how ads looked in 2014.