Arlo Radford

About

Nelson, a camera, and four years of not putting it down

I write, shoot, colour and cut every film myself — which is either a limitation or the whole point, depending on the job.

Arlo Radford photographed in profile, outdoors in Nelson
Behind a camera
4 yrsBehind a camera
Films delivered
60+Films delivered
Brands worked with
30+Brands worked with

I picked up a camera four years ago and haven't really put it down since. What started as filming friends turned into filming businesses, and somewhere in there it stopped being a hobby: 30+ companies, 60+ videos, and a fairly clear sense of what I'm good at and what I'm not.

Almost all of that work has been commercial — ads that had to sell something, for people spending their own money. That's a good school. It teaches you that a beautiful shot nobody watches is worth nothing, and that the idea has to survive being compressed to nine seconds on a phone.

This site is the other half. Brand films, spec ads and passion projects made without a brief, where I get to chase an idea further than a client budget usually allows. Every technique that's ended up in paid work showed up here first.

I work solo by choice. One person writing, shooting and cutting means nothing gets lost being handed between three of them — and it means I turn work down. If a job genuinely needs a full crew and a month of pre-production, I'll say so rather than pretend otherwise.

I'm based in Nelson and work across the top of the South Island. Usually that's a workshop, a warehouse, or someone's front paddock at six in the morning.

How I work

  • 01

    The idea before the gear

    Kit is the least interesting part of a shoot. If the idea only works because of an expensive lens, it isn't an idea yet.

  • 02

    One person, start to finish

    I write it, shoot it, colour it and cut it. You talk to the person doing the work, and nothing gets lost in translation.

  • 03

    Made to be watched

    I grew up on social media, so I make things for how people actually watch now — not for how ads looked in 2014.

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